We’re always searching for The Best, The Ultimate — The Perfect Blues Guitar Rig — and today, I’m going to share with you the center, and the chained core, of my most golden Blues playing experience. It all starts and ends with wood: I’m currently loving on my mahogany Les Paul.
That said, my Clapton Custom Strat is also a great Blues axe and it excels at playing Grant Green, Eric, B.B. King and Stevie Ray Vaughn.
The Les Paul is best for playing Wes Montgomery, Robert Johnson, Gary Moore and Sister Rosetta Tharpe.
When I first started writing this article I was all-in on my Gibson. This week, I’m hotter on my Stratocaster. I suppose it’s good I don’t play favorites with my guitars — but sometimes that movement between muses can be seen as waffling by some. If you have more than one guitar, I’m sure you understand my point.
Next in my Blues Chain are the strings. The Gibson Vintage Reissue strings have that ancient warmth that matches the sound of “The Old Blues” you hear singing in your head. They are magical and magnificent strings.
Your guitar and strings aren’t going to sound good without the proper connection to your amp. That’s where Evidence Audio enters with their incredible Lyric cable.
It might sound silly to spend over a hundred dollars on a guitar cable — but once you experience the pureness of sound you get from Evidence Audio, you won’t be able to go back to using any other cable. I gave up all my Mogami cables for Evidence — so you know there’s some serious money being waged and won in this ongoing battle for tone.
If you’re any sort of serious Bluesman, you know you can’t play clean all the time. Sometimes you need a little crunch. You need to get dirty.
I use the Ibanez TS808HW Tube Screamer to dial in my biting overdrive. This Tube Screamer is all hand-wired and it brings forth that gnawing sound you cannot manufacture from fingers alone.
It took me some time to figure out the best settings for low-level Tube Screaming apartment playing with my guitar at around a five volume — Overdrive pinned full; Tone at One O’clock, Level at 9:30 — and now that the Screamer is dialed in, all I need to do is tap on the footswitch and I’m growling!
If you’re going to crunch — you’re also going to need to add some sweetness, too — and I use the Holy Grail Plus from Electro-Harmonix to bring me just an ounce or two of reverb: Blend at 1:30; Amount at 3:30, Reverb on “Spring.”
I love reverb because it adds just a touch of an ethereal presence to any rehearsal or performance. My Fender ’65 Princeton Reverb Reissue does reverb really well, but I don’t always use that amp when I’m cranking out The Blues.
We started this review with mahogany and we’re ending it in solid pine.
The final link in your golden Blues chain is the Fender ’57 Champ Custom tube amp. Yes, it’s tiny. Yes, it’s a little expensive. Yes, it has a fantastic provenance as “The Layla Amp.”
Yes, you cannot live without the ’57 Champ because it is my amp of choice — I leave my volume set at just under four for apartment playing — because it instantly gives you that earthy, luscious, honesty of the classic Blues recordings.
All you do it turn it on, plug in your guitar cable, and you’re propelled back in time when music was authentic and moving. You’re playing into a time machine and it sings with nostalgia and replies with melancholy.
I’ve taken you point-to-point through an inside look at my Perfect Blues Guitar Rig — and I hope you’ll be able to make a similar journey of your own.
If you have a Blues Rig that works for you, be sure to give us your thoughts in the comments to lead us down another avenue of expression in the perpetual human search for unachievable, Blues, perfection.
David,
I hope one day I will take the road to getting a perfect Blues rig — I imagine it may be a few years away, however. Meanwhile, I can admire your beautiful rig!
The most important things in any electric Blues setup are the guitar and the amp. You need to spend some good money on both — everything else “in the chain” can come later. Many people spend too much on a guitar and have a cheap amp — others reverse that and spend all their money on a great amp but they have a lousy guitar. You really need excellence at both ends that match the ability of the other to get just the right sound.
That sure looks like a pretty expensive group of things, David. Could the regular player afford it or is it more for others with more experience?
That’s an excellent question, Anne, and I guess one could argue this is a more “elite” Blues setup than one would likely expect from an amateur or a beginner. I do think that when it comes to musical instruments and gear you often get what you pay for and that directly results in the quality of sound produced. Sure, there are always exceptions, but good gear — more often than not — sounds better in practiced hands than cheap gear.
Very cool rig….eerily similar to my own….either a
natural ash, maple neck Strat or fairly ancient Les Paul through a
tweed Deluxe, or my fave, the little Swart 6v6se Space Tone. Give
me a cord and it’s all good.
Hi Ross!
Thanks for your comment. I love your rig! I’ve lolled back to my Clapton Custom Strat as my main Blues Guitar of choice right now — I can create almost any old “Blues sound” I want with just a few toggle switch movements and some volume and tone adjustments.
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Dave; I am currently darting back and forth between a DBZ Imperial(Premier series)& G&L S 500.I am currently using a Fender Jazzmaster Ultralight amp it is very light and has two “voices” Jazz amp+Twin voice.It is solid state but with tube emulation(?). I also have a [First Generation ] Fender Super Sonic 60w Combo but the clean channel has no Mid (just Treble/Bass) it also has two “voices”(’65 Vibrolux/’66 Bassman 10 on the clean side) the “Burn”channel has cascading gain +the full spectrum of tone controls i.e. treble ,mid, bass.but, I am thinking of trading for a Deluxe Vibroverb. I am in a situation where somtimes I need clean twang and somtimes I need blues crunch and sometimes some heavy O.D. I really appreciate every one’s insight and commentary
Thanks for the detail on your great rig! You have a lot of really nice stuff and I’m sure it sounds great together!
Sir, you have nice stuff… but I am happy playing a Martin HD-35 in Yosemite Park with the natural canyon echo effect.
I love that natural studio, Peter!
I totally concur but would use the Champ 57 with a Two Rock 1 x 12 cab or a THD 2 x 12 cab. With either one, you will be weeping while your guitar gently sings… (an Avatar 2 x 12 with Celestion Blue Alnicos would be heavenly)
I definitely lover your setup suggestions, Peter!
You should explain to our readers what you mean by — “Two Rock 1 x 12 cab or a THD 2 x 12 cab” — so they can explore those sounds.
Hello David;
I am compelled to share with you a pick up upgrade for your Les Paul. It is the WCR Godwoods (wcrguitar.com). It will transform your instrument to a level like upgrading your cables to the Lyric HG. If you don’t have the pick ups yet, you will be totally blown away.
Peace
Peter
Those are great sounding pickups! Did you do the installation yourself?